Moronic Half-Assets Sounds the Alarm

Credit Recovery Associates (CRASS) Accounting Chief Konrad Teirant is having trouble balancing the assets against the liabilities, even after having cooked the books to a carbonized mess.

Chief Executive Officer Mack. E. Avelli calls in Konrad to hold a meeting.

“Kon, if we cannot make ourselves look good to our investors, we are going to fail as a company. I don’t need you to be honest about it, I need you to make us some more money. Just get it done.”

“I’ll think up something. You won’t be disappointed.”

“Good,” the fifty-something Mack says to Konrad and starts texting his 22-year-old wife Judithann.

It is midnight here in Kankakee.  

The fire alarm sounds for the third time this week at the low-income housing complex, complete with strobe lights, sirens and a man’s voice repeating the same message over and over again.

As the residents of this sorry apartment building wake up and use the bathroom, Moronic Half-Assets (MHA) takes the elevator up to each floor in the tower. 

“It is midnight and you know what time that is! Come on, guys, let’s all dance! Didn’t you see that four-page flyer we left on all of your doors telling you to exercise more? We knocked on your doors because we had nothing better to do! Resident deejay Konrad is on the ones and twos!” exclaims property manager, half-wit and overt narcissist Madeline Topolla-Teirant.

DJ Konrad Teirant picks some records out of his crate, and begins spinning and scratching, rapping over the music.

Resident Tyrell Fowler — out in the hall wondering what the racket is about — explains to Konrad “dude, you cannot scratch 1950s love songs,” and walks back into his unit.

“Let’s get out the glowsticks everybody!” Madeline says as she pulls them from the fire-hose compartment on the wall.

Robbie sings Elvis tunes as he dances away, doing moronic martial arts moves on the in-between.

The MHA troupe packs up their party-gear and heads upstairs to the next floor in the tower.

When the crew are all done waking up their residents, they head downstairs to the office and turn off the alarms. Finally those poor residents can get some sleep.

“Here is your check, Kon. We will write it off as a business expense here at the complex.”

“Great, I will bring it to CRASS tomorrow,” Kon tells his wife and they head home.

“Oh good, I got it,” a resident says sitting in her bed, as she reviews the video she recorded on her phone.

Konrad Teirant heads into the CRASS office, strutting along the halls with a turd-eating-grin across his face as he makes his way over to the office of his supervisor, Mack E. Avelli.

“Kon! You have a great smile! You should smile more often.”

Kon hands Mack the check.

“Oh good! Now you can keep your job!” Mack tells his subordinate Konrad.

Kon says nothing and heads back into his office to cook more books.

Meanwhile, the CRASS phones light up like a Christmas tree. However the increased call volume is not from debtors calling back the CRASS collectors.

“I saw that video on the news, your accounting dude and his buddies woke some poor folks up in the middle of the night hosting some hokey rave party? What were you thinking?” 

Beep.

“Hey, this Trisha Cobb, better known as Gothic Diana Ross. You know, from The Midnight Supremes? We saw what you did when we watched the news. That’s not cool.”

Beep.

“Hello, this message is for Mr. Avelli. I am Geoff, an auditor with the firm Deltoid & Tush. We were asked to contact you about your accounting records. We are stopping by in an hour.”

“Kon, how do we cook the books now? Ya better cook them good this time,” Mack shouts to an empty room. Since he was up half the night, Kon took the rest of the day off to go home and now he is fast asleep, sawing a forest. 

A Very Moronic Concert

“Ma, would you like a dog food wrap?”

“No thanks, Sybil. I’ll take a raincheck.”

“I wrapped them up in toilet paper, Mother!”

JK shakes her silvery coiffe.

“Are there squirrels along the boardwalk?” JK asks her daughter, who is busy munching away at her doggy bag.

“Mmmnnnpf” a hungry, occupied Sybil replies in the negative.

“Speaking of squirrels, where are our tickets to the squirrel petting zoo?” JK inquires.

Sybil digs around her black-and-white striped purse, and pulls out the envelope Robbie gave her.

“Coupons? I thought they were comping us. These only give us a dollar off! The admission is $20 a pop! And where are our hotel keys? They said they were getting that, too!”

“Ummmm…” JK’s jaw just hangs.

“I have a plan.”

“Are we still going to the show?”

“Aw yeah, we are going early, in fact.”

6:00 PM rolls around and Sybil has already gotten to the bar with her mom, JK. The two were a bit delayed by their detour to the novelty store.

“Where is the ladies’ room?”

The bartender points in the general direction.

Sybil and JK each take a stall and begin blowing up the inflatable women. Sybil applies makeup, a blonde wig and readers to hers and JK applies a short, gray wig and round glasses to her doll. They walk out the restroom and place their dolls in two seats toward the back of the bar.

Sybil and JK leave the bar, giggling as they exit. They head to a casino where they spend the night.

The Moronic Half-Assets (MHA) Vaudeville act begins. Konrad Teirant tells his awful puns, then his wife, Madeline Topolla-Teirant, the colorful clown, juggles and attempts to balance on a large ball. Robbie Hurlbutt, mediocre Elvis impersonator, sings and dances like the fool he is.

PJ Hurlbutt cheers on her son Robbie, who she thinks is the greatest singer, meanwhile Pat Splatt sits there in his seat texting.

The show ends and Robbie takes a head count.

“We’d like to thank our fans Pat, my Mom PJ, and our buddies Sybil and JK!”

“Encore! Encore! Encore!” the lone fan, PJ, shouts.

“Did you say encore? We aim to please. Robbie is going to serenade a special fan who came all the way from Kankakee, Illinois!” Konrad announces.

Robbie comes down from the stage, toward the back of the bar and begins to sing “Burnin’ Love”.

Robbie is in shock that the “person” to whom he is singing does not react, nor move at all. “She is not a sincere fan.” Robbie says into the microphone after his number.

“Robbie, you moron. That’s a blow-up doll!” Madeline shouts.

Robbie jumps back in sheer embarassment.

“Elvis has now left the building.” Konrad announces.

The Moronic Half-Assets pack up, ready to leave. “That was a bust. I got really flustered up there.” Robbie sighs.

“We did not return much on our investment, did we?” Konrad gripes.

“Time to pack up and leave. If we drive home in our clown car, and make it home without stopping, maybe we can make up for our losses. Time to go!”

Robbie is in the Men’s washroom, wizzing away.

“Robbie, why do you leave the door open? I tell you about that time and time again!” Madeline screams.

A loud slam is heard.

“Rrrrrrrrgh!”

“Robbie, you are not Elvis, and you are not going to die in there.”

The MHA members pack up their stuff, and Robbie follows them into his clown car.

“I wonder what act is up next?” Robbie asks.

“I guess we’ll never know. Step on it Robbie!”

An announcement is barely heard from the purple clownmobile as Robbie pulls away, and rolls up his window, Kankakee-bound:

“Next up, also from Kankakee: Gothic Diana and the Midnight Supremes!”

“Rrrrrrgh—I love her! My dreamy—“

“Shut up and drive, childish little boy,”Madeline commands as the rain pours down and the moon shines down on the Moronic Half Assets.