This sad playboy — I am putting it nicely — got all butthurt when I messaged him looking for friendship. Yes, friends, as in getting to know each other better. When he replied to my intro question showing interest in his hobbies, all he said was he liked those things. I replied asking him what he would like to know about me and what was his response? Wait for it.
He said yes, go ahead. Confused by his comment, I replied with a simple question mark.
Since he was five hours ahead of me, I did not expect a reply, or even to see him online at that point. It was 8:50 PM my time, 1:50 AM his time.
This luser got all butthurt, saying I was interested in him and got rather cross because I asked him to tell me more about himself. You know, what humans do to get acquainted. Figuring he had something to hide, I blocked him. I wanted no more contact.
Today, ennui got the best of his soul, so he sent me this message right here on MoronicArts to try and mansplain dating, music, or whatever it was he thought I was trying to achieve when I wrote him, because my blog is chock-full o’ pretend and real-life morons like him.
Hmmm. Maybe he sees a little bit of Peppi Cacca and Pat Splatt in himself. Or maybe Damien Hurlbutt since Gareth’s Twitter handle “tungstenfedora” screams neckbeard. Why not get yourself an anime waifu like the other neckbeards, Gareth? Maybe he should get a hobby, I have things to do and am very busy.
Meanwhile, Gareth, enjoy your participation trophy, I mean Moron of the Week Award. Hold onto it really tightly, because I need it for the next moron.
This post brought to you by the letters #MotW.
Watch Carly Simon poke fun at neckbeards in her updated video to “You’re So Vain.”
Kankakee bill collector and dog-food connoisseur Sybil is so excited for the annual Credit Recovery Associates (CRASS) Retreat in Hoboken, New Jersey, she can almost wet herself. However, she cannot fly. She does not want to fly, actually. It is not that she is afraid to fly; she just WON’T.
“I would rather take the train. That is the way to travel.” Miss Kibble barks to Mack E. Avelli, CRASS Chief.
“Do what you want. It will save the company money,” replies Mr. Avelli.
“Oh, I cannot wait! This is going to be so fun!” Sybil bursts out loud, as she runs around the office with great excitement. “I wonder what city I will see first? “Gary? Cleveland? DeMoranville? This is going to be AWE-some!” Sybil brags, while the rest of the office shake their collective heads, and sigh.
Sybil has been on her train for 14 hours. She has not slept all night. The woman behind her has been snoring and her toddler has been wailing like a banshee for the past hour.
An assistant conductor walks by. “Excuse me, what time will we be to Hoboken?”
“This train does not go to Hoboken. Your ticket says Newark.”
“What time, then?” snaps Sybil.
“We are running five hours behind.”
The train eventually pulls into Newark, after driving backward through a muddy lake, slowing for eight freight trains and stopping for six.
Sybil misses her shindig by two hours and takes the lonely train home, and her bragging rights with her.
This post brought to you by Aeroplane and the letters AA.
“Are there squirrels along the boardwalk?” JK asks her daughter, who is busy munching away at her doggy bag.
“Mmmnnnpf” a hungry, occupied Sybil replies in the negative.
“Speaking of squirrels, where are our tickets to the squirrel petting zoo?” JK inquires.
Sybil digs around her black-and-white striped purse, and pulls out the envelope Robbie gave her.
“Coupons? I thought they were comping us. These only give us a dollar off! The admission is $20 a pop! And where are our hotel keys? They said they were getting that, too!”
“Ummmm…” JK’s jaw just hangs.
“I have a plan.”
“Are we still going to the show?”
“Aw yeah, we are going early, in fact.”
6:00 PM rolls around and Sybil has already gotten to the bar with her mom, JK. The two were a bit delayed by their detour to the novelty store.
“Where is the ladies’ room?”
The bartender points in the general direction.
Sybil and JK each take a stall and begin blowing up the inflatable women. Sybil applies makeup, a blonde wig and readers to hers and JK applies a short, gray wig and round glasses to her doll. They walk out the restroom and place their dolls in two seats toward the back of the bar.
Sybil and JK leave the bar, giggling as they exit. They head to a casino where they spend the night.
The Moronic Half-Assets (MHA) Vaudeville act begins. Konrad Teirant tells his awful puns, then his wife, Madeline Topolla-Teirant, the colorful clown, juggles and attempts to balance on a large ball. Robbie Hurlbutt, mediocre Elvis impersonator, sings and dances like the fool he is.
PJ Hurlbutt cheers on her son Robbie, who she thinks is the greatest singer, meanwhile Pat Splatt sits there in his seat texting.
The show ends and Robbie takes a head count.
“We’d like to thank our fans Pat, my Mom PJ, and our buddies Sybil and JK!”
“Encore! Encore! Encore!” the lone fan, PJ, shouts.
“Did you say encore? We aim to please. Robbie is going to serenade a special fan who came all the way from Kankakee, Illinois!” Konrad announces.
Robbie comes down from the stage, toward the back of the bar and begins to sing “Burnin’ Love”.
Robbie is in shock that the “person” to whom he is singing does not react, nor move at all. “She is not a sincere fan.” Robbie says into the microphone after his number.
“Robbie, you moron. That’s a blow-up doll!” Madeline shouts.
Robbie jumps back in sheer embarassment.
“Elvis has now left the building.” Konrad announces.
The Moronic Half-Assets pack up, ready to leave. “That was a bust. I got really flustered up there.” Robbie sighs.
“We did not return much on our investment, did we?” Konrad gripes.
“Time to pack up and leave. If we drive home in our clown car, and make it home without stopping, maybe we can make up for our losses. Time to go!”
Robbie is in the Men’s washroom, wizzing away.
“Robbie, why do you leave the door open? I tell you about that time and time again!” Madeline screams.
A loud slam is heard.
“Robbie, you are not Elvis, and you are not going to die in there.”
The MHA members pack up their stuff, and Robbie follows them into his clown car.
“I wonder what act is up next?” Robbie asks.
“I guess we’ll never know. Step on it Robbie!”
An announcement is barely heard from the purple clownmobile as Robbie pulls away, and rolls up his window, Kankakee-bound:
“Next up, from Manteno, Illinois: Gothic Diana and the Midnight Supremes!”
“Rrrrrrgh—I love her! My dreamy—“
“Shut up and drive, childish little boy,” Madeline commands as the rain pours down and the moon shines down on the Moronic Half Assets.
Madeline walks behind the strip mall, past the dumpsters, to hide from a client who turned her in for illegal activity at Kankakee’s Best Low Income Apartments, which she manages.
“Madwoman!” a male voice calls out.
“Who called me?” a terrified Madeline asks.
A slender, young, dirty-blonde male wearing shades, a hoodie, and ripped blue jeans walks up to Madeline.
“I am Brandon Dixon. I own Brandon’s Imbecile Machines in Kankakee. I hear you are a clown.”
Madeline shakes even more.
“I am one too. I would like to try out for your touring Vaudeville act.”
“Maybe I can use an understudy.”
“You bet. Call me.”
The two shake hands and part ways. Madeline heads back to work, Brandon home.
“Hi, is this Wally Green?”
“This is Madeline Topolla-Teirant. I need to order a case of some half-ply toilet paper. That’s the kind that breaks off one square at a time right? I need some really cheap supplies for our community centers here at our low income complexes and I am not going to pay a lot. Ohh, hold on I have a beep.”
Madeline switches calls.
“Hey babe. Moronic Half-Assets has a gig coming up tomorrow in Gary, Indiana. I was totally thinkin’ I would rock the joint as Roy Orbinson.”
“You’re just an Elvis impersonator and not a very good one,” Madeline insults Robbie.
“Well honey, I can also pull off a crazy cool Mike Mesmith.”
“Get outta here with that.”
“Peter Tork? “Johnny Cash?”
Madeline slams down the phone.
“This is Wally. You wanted to order toilet paper?”
The next afternoon, a Wally Green’s truck shows up to the low income housing complex where Madeline works.
“Beep beep beep beep.” The truck backs in.
“A whole case of half-ply toilet paper, just like you ordered. Just sign here on the sticker.”
Madeline scrawls her name.
“Here you go!”
“Whoopsie!” says the driver.
“You dropped the box on my foot. I think you broke it!”
Madeline drives over to the nearest 30 Second Clinic.
“It’s a bit bruised but you will be fine. Just ice it for two days while you are at home. You can go back to work now.”
“Your thirty seconds are up. We have other patients out there in the waiting room. Our medical office assistant will walk you out and take your copay.”
An angry Madeline begrudgingly pays her bill and heads home. There is no way she can make the gig tonight.
Madeline gets on her mobile phone.
“Hey Brandon, this is Madeline. I know this is short notice. I have a clown gig tonight I cannot make. You see I broke—“
“I’ll do it!” Brandon says with a smirk only he can see on his face, as he is looking at himself in the mirror.
“Gary, Indiana. Lapolla Theater.”
“Oh, I will be there, makeup and all.”
“I knew I could count on you.”
Madeline hangs up her phone and takes a nap.
Hours pass and Madeline thinks about how happy she is that she has another clown. Deep down inside she really does not want to do that gig in Gary. She falls asleep while thinking up a scheme to get out of paying Brandon.
A series of dings wakes a sound asleep Madeline.
“I did not know you were sending us a juggalo. The crowds booed us! What were you thinking, Mad?”
“Man this clown is weird and he looks funny. He reminds me of people my father hung out with. He keeps asking me to buy him Faygo. Our gig sucked because of him, not because of me. Just saying.”
A series of photos came in of Brandon, Konrad and Robbie on stage.
Needless to say, Madeline was up all night, and it was not because of her foot hurting.
Not only am I a writer and cartoonist, I am also a musician. When I write about these silly characters, I listen to a certain playlist dedicated to just them.
Each character has a theme song. Not only does it remind me of said character, it gives the reader insight behind the character’s personality, behavior, and interests. Please stay tuned as this list will grow over time.
Credit Recovery Associates (CRASS) Accounting Chief Konrad Teirant is having trouble balancing the assets against the liabilities, even after having cooked the books to a carbonized mess.
Chief Executive Officer Mack. E. Avelli calls in Konrad to hold a meeting.
“Kon, if we cannot make ourselves look good to our investors, we are going to fail as a company. I don’t need you to be honest about it, I need you to make us some more money. Just get it done.”
“I’ll think up something. You won’t be disappointed.”
“Good,” the fifty-something Mack says to Konrad and starts texting his 22-year-old wife Judithann.
It is midnight here in Kankakee.
The fire alarm sounds for the third time this week at the low-income housing complex, complete with strobe lights, sirens and a man’s voice repeating the same message over and over again.
As the residents of this sorry apartment building wake up and use the bathroom, Moronic Half-Assets (MHA) takes the elevator up to each floor in the tower.
“It is midnight and you know what time that is! Come on, guys, let’s all dance! Didn’t you see that four-page flyer we left on all of your doors telling you to exercise more? We knocked on your doors because we had nothing better to do! Resident deejay Konrad is on the ones and twos!” exclaims property manager, half-wit and overt narcissist Madeline Topolla-Teirant.
DJ Konrad Teirant picks some records out of his crate, and begins spinning and scratching, rapping over the music.
Resident Tyrell Fowler — out in the hall wondering what the racket is about — explains to Konrad “dude, you cannot scratch 1950s love songs,” and walks back into his unit.
“Let’s get out the glowsticks everybody!” Madeline says as she pulls them from the fire-hose compartment on the wall.
Robbie sings Elvis tunes as he dances away, doing moronic martial arts moves on the in-between.
The MHA troupe packs up their party-gear and heads upstairs to the next floor in the tower.
When the crew are all done waking up their residents, they head downstairs to the office and turn off the alarms. Finally those poor residents can get some sleep.
“Here is your check, Kon. We will write it off as a business expense here at the complex.”
“Great, I will bring it to CRASS tomorrow,” Kon tells his wife and they head home.
“Oh good, I got it,” a resident says sitting in her bed, as she reviews the video she recorded on her phone.
Konrad Teirant heads into the CRASS office, strutting along the halls with a turd-eating-grin across his face as he makes his way over to the office of his supervisor, Mack E. Avelli.
“Kon! You have a great smile! You should smile more often.”
Kon hands Mack the check.
“Oh good! Now you can keep your job!” Mack tells his subordinate Konrad.
Kon says nothing and heads back into his office to cook more books.
Meanwhile, the CRASS phones light up like a Christmas tree. However the increased call volume is not from debtors calling back the CRASS collectors.
“I saw that video on the news, your accounting dude and his buddies woke some poor folks up in the middle of the night hosting some hokey rave party? What were you thinking?”
“Hey, this Trisha Cobb, better known as Gothic Diana Ross. You know, from The Midnight Supremes? We saw what you did when we watched the news. That’s not cool.”
“Hello, this message is for Mr. Avelli. I am Geoff, an auditor with the firm Deltoid & Tush. We were asked to contact you about your accounting records. We are stopping by in an hour.”
“Kon, how do we cook the books now? Ya better cook them good this time,” Mack shouts to an empty room. Since he was up half the night, Kon took the rest of the day off to go home and now he is fast asleep, sawing a forest.
A wild Peppi Cacca in his natural Manteno habitat utters his mating call. “Git, git, git” he cries, hoping to mount an approaching Bernadette. Displaying the power of his fragile male ego, the Peppi channels his inner Pepe LePew and tries to kiss the bog witch Bernadette, who runs like a cheetah, hiding; plotting her revenge.